Trevor Filter is a web and information designer who lives in Cambridge, Massachusetts (where he also goes to school). This is his personal tumblelog, which is mostly a conduit for exploring the proper way to use sarcasm on the internet.

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Reblogged from maniacalrage

Tree branch falls on power lines

The sudden silence after the explosion at the end is incredible. (via Luda)

Reblogged from thedailywhat

Check out those pants. This is the Norwegian curling team at Vancouver 2010. The Big Picture blog has tons more great Olympics pictures, but man, those pants.

Check out those pants. This is the Norwegian curling team at Vancouver 2010. The Big Picture blog has tons more great Olympics pictures, but man, those pants.

Charting the Beatles
Hot. Michael Deal is creating a series of infographics studying the music of the Beatles. Khoi Vinh at Subtraction has this to say: “Some of the work is quite beautiful and, like an increasingly large portion of information graphics these days, quite useless, too.”

Charting the Beatles

Hot. Michael Deal is creating a series of infographics studying the music of the Beatles. Khoi Vinh at Subtraction has this to say: “Some of the work is quite beautiful and, like an increasingly large portion of information graphics these days, quite useless, too.”

Good Blog: Sight Unseen

From two of the former editors of now-defunct I.D. Magazine, Monica Khemsurov and Jill Singer, comes this great-looking blog on the stories of design, photography, food, magazines, and artists. The above is their article on Less and more, an 808-page catalog of essays and artifacts that came out of the Dieter Rams exhibit at Suntory Museum in Japan. Older posts go back to Halloween, but I just stumbled on this now, thanks to the always-on-top fellows over at It’s Nice That.

Good Blog: Sight Unseen

From two of the former editors of now-defunct I.D. Magazine, Monica Khemsurov and Jill Singer, comes this great-looking blog on the stories of design, photography, food, magazines, and artists. The above is their article on Less and more, an 808-page catalog of essays and artifacts that came out of the Dieter Rams exhibit at Suntory Museum in Japan. Older posts go back to Halloween, but I just stumbled on this now, thanks to the always-on-top fellows over at It’s Nice That.

Just spent an hour and a half on Chatroulette

(Whoops.)

Actually, Chatroulette is just so mind-numbingly addictive that we were able to pull away only after my laptop’s battery had died. But, in that ninety-minute span, Justin and I met people from Paris, France; Munich, Germany; Kent, UK; and even Norway (twice)! Notably, we didn’t have a single worthwhile conversation with another American. On the other hand, it did seem like everyone we talked to was online at around 9 or 10 p.m. in their local time zone, so maybe the “friendly” demographic changes around the clock.

That said, I’m now completely convinced that there are so many potential cultural studies just begging to be leveraged from within Chatroulette. Make no mistake: this is a Very Big Thing; the sort of Big Thing that only comes around every couple internet years. The parade of choked chickens aside, I do believe that there’s a legitimate premise in video conferencing with random strangers around the world.

By far the most interesting aspect of Chatroulette is that every conversation is truncated. Because clicking “Next” to advance to another chat partner is so forcibly ingrained in the user’s behavior, there’s no opportunity to have any sort of meaningful exchange of words or ideas. In other words, by the time you get past “Where are you from?” and “What time is it there?” and finally, “What’s your name?,” one of you is usually already saying “Nice talking!” or “Take care” and hovering over the Next button. As soon as you reach the point in a typical conversation where any substance would normally be introduced, the conversation is over. Near-instantaneously.

The direct implication is that eventually every conversation is perceived as meaningless from the outset, and instead, each encounter becomes a study in attention. For me, this is a fascinating example of how the attention-deficit disorder we are beginning to associate with the internet could be transcribed onto a face-to-face encounter with another human being. Historically, web cams have been used to facilitate meaningful communication between close friends and family members where distance is prohibitive. Now—with Chatroulette—web cams are being used to facilitate surface conversations between complete strangers, in an un-patrolled realm of the internet where anything goes.

I’m really excited to see Chatroulette evolve: what academics are able to discover, what lawsuits are filed, what governments get involved, and what people end up taking away from it. It’s a fascinating place with lots of possibilities.

All that said, I still haven’t gathered the nerve to go on alone.

Great new advertisement for VISA and the upcoming World Cup from Saatchi & Saatchi. “Run, Forrest, Run!” (via It’s Nice That)

I am not even sure what Chatroulette is now. Everyone finds his own way of using the site. Some think it is a game, others think it is a whole unknown world, others think it is a dating service.

— Andrey Ternovskiy, the 17-year-old creator of Chatroulette, on how quickly his “fun” project for friends has turned into a multi-server operation out of Germany with network throughput of seven gigabits/second. His interview with the NYTimes has more.

CUT-UP MX is photographs of fascinatingly obfuscated Mexican billboards: “Chopped up, partly exchanged and randomly assembled they often become exciting commercial collages. Rumors say that once a company’s advertising time is over and a new hirer is still to be found, the pieces are mixed up to disguise the sales message.”

CUT-UP MX is photographs of fascinatingly obfuscated Mexican billboards: “Chopped up, partly exchanged and randomly assembled they often become exciting commercial collages. Rumors say that once a company’s advertising time is over and a new hirer is still to be found, the pieces are mixed up to disguise the sales message.”